Armenian Painting  From the Beginning to the Present -  
 
	
 
	
	
	 
	 
	
	The guest was the author herself  Mayda Saris. The lecture was based on the recently published English translation of the book authored by her with the same title. The publisher is AGOS of Bolis  the editor Hrant Dink  (the same distinguished Hrant Dink who has been in the headlines recently out of Turkey). 
She is an art consultant and a researcher-writer  born in Bolis  a rising star  in her very early 50 s (my estimate). 
Quoting from the inside back cover  she writes: 
 The fact that these painters- of mostly Anatolian origin- had been unknown in their own country  despite the broad reputation they acquired abroad  was quite deploring. Extirpating this contradiction and filling a historical gap was obviously an irrefutable acknowledgement due to Armenians from Turkey. Thus  as a researcher who has been closely concerned with art-painting  in particular-and history  and who has desired to reanimate the spirit of Armenia art and culture  I have found myself delving into a pile of books written in French  English  Russian  and Armenian. The rich heritage that I have witnessed  whilst advancing through a time tunnel accompanied by some odors from the decaying papers of books  magazines and documents in the dusty archives  was an outstanding indicator of the close ties that have bonded the Armenian community with art. 
The book 264 pages  is very beautifully illustrated with about 400 pictures. The lecture includes a slide presentation and an expert s delivery. Very impressive. 
In the next few days  she is touring the US and Canada taking her to Detroit  Chicago  Boston  New York Montreal and probably more. I strongly recommend for you to attend the lecture (please consult your local calendars for dates and locations). I let her presentation be the best advocate for you to add the book to your collection after studying the content. 
The contents include: 
Introduction 
Historic Background 
The Outlook. 
Rock Carvings on the Armenian Plateau and Painting in Ancient Armenia 
The Early products: Rock Carvings 
Antiquity. 
Armenian Miniature Art 
The Great Master of Miniature: Toros Roslin 
The Second Peak of Miniature Art: Sarkis Bidzak (The Wasp). 
16th - 18th Centuries 
The Modern Era 
The First Representative of Modernism: Hovnatanian 
Aivazovsky and the Generation of Marine Paiters 
Two Masters of the Transition Period: Atamian and Bashinjaghian 
The Historical Compositions 
One a Master of Landscapes  the Other Documenting History: Terlemezian and Fetvajian 
Two Original Painters: Aghajanian and Totossian 
The Indepedents: Ardzatbanian  Nazarian and Khojabekian 
At the Threshold of the 20th Century 
A Painter from Kayseri: Seraylian 
A Master of Engraving: Edgar Shahin 
A woman Painter from Diyaebakir: Zabel Boyajian 
A Master of Still Life: Pushman 
Three Painters in Egypt 
Two Landscape Painters  One Philosopher 
Organizations  Groupings and Painters 
An Eccentric: Khachadourian 
Another Painter from Harput: Shishmanian 
The First Half of the 20th Century 
Armenian Painters in Ottoman Capital 
Palatine Painters 
Aivazovsky in the Ottoman Palace 
The Other Palatine Painters 
Exhibitions in Istanbul 
The School of Fine Arts 
An Istanbul Romantic 
Founder of Ottoman Sculpture: Yervant Oskan 
Miscellaneous Exhibitions 
A View of Contemporary Armenian Painting 
Three Leading Figures of Contemporary Painting 
The New Image 
The 1950s and Two Tendencies 
Institute of Fine Arts in Erevan 
The Resurgence of the 1960s 
Painting in Diaspora 
A Peak: Arshile Gorky 
Colour Revelry in Diaspora 
One As Destitute As His Name: Gharibian 
Armenian Painters in Contemporary Turkish Painting 
The book ends with a rich Acknowledgment; An alphabetic listing of Armenian Painters; References: Encyclopedia and Biographic Dictionaries  Annuals  Books  Journals  Exhibition and Auction Catalogues. (This section alone is a witness for how the Armenian communities and their activities were at the edge of Modernism of their times  not to mention the painters and their paintings). 
This caliber of works are multifaceted contributions in Armenian Studies and Arts. In the present charged-up environment in international affairs  the work and her place of publishing brings an added dimension... 
Parivayloom! 
Mark CHENIAN.
	
	 
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